My screenwriting website redesign and update is finally done. And this one I can update myself. Major crash course still has the head spinning with tweaks and modifications. So, if anyone would like to check it over, I’d love to hear any ideas for changes.


When ideas run rampant!

It seems there are a multitude of screenwriting, and indeed, literary mentors and gurus who can effectively get a writer past a nasty session of writers block.

What is ironic is that there is no sage advice for those of us who are constantly bombarded by new script and/or story ideas. It’s enough to distract and entice the most dedicated writers from their immediate project. You have to jot it down lest you lose it. Which always leads to expanding it at least to the outline stage.

For myself, when dialogue starts pouring out, I have to forcibly distance myself from the idea. That means popping that outline into a folder and hiding it away in another room, just so I’m not tempted to – just give it a little tweak. So powerful is the call of a fresh new concept to a writer’s heart and mind.

Even so, it can take a few abortive attempts before mind and control can be enticed back to the script at hand. You know, the one you’re being paid to write, the one with a deadline attached.

Okay, stop right there.

That kind of thinking will only lead you back to the deliciously fresh unrestricted fruit of another new idea just waiting for the right moment to distract you at the most crucial juncture of your almost finished write-for-hire.

Don’t let it in.

Instead, focus on each individual visual already written in front of you. But I do have to wonder if this focus keeps bringing back the new idea. Is it meant to become a part of the current piece? I am thinking it probably should, and is likely what is missing. Why the work-for-hire script is not yet done.

Truly there is nothing wrong with finding all these ideas. Producers, publishers, agents, and managers will adore you for it, if it’s in their chosen genre.

If only there was time to write them all.

Reflecting back on hundreds of ideas I have had in the last few months, always in a quiet moment long after the idea struck. I am finding that many of them could not support a full two-hour storyline. Could a television series be lurking in there? That is always a good possible as anything goes these days. But they do make for sharp, intense, and thought provoking short scripts or stories.

Just the thing every budding writer/screenwriter needs to begin developing a portfolio.

How do you deal with your idea demons?

Or do you let them flow free?

%d bloggers like this: